In fact the bodies represented in METACHAOS, even though they are characterized by an apparently anthropomorphous appearance, in reality they are without identity and conscience. They exist confined in a spaceless and timeless state, an hostile and decadent hyperuranium where a fortress, in perpetual movement, dominates the landscape in defense of a supercelestial, harmonic but fragile parallel dimension. In its destructive instinct of violating the dimensional limbo, the mutant horde penetrates the intimacy of the fortress, laying siege like a virus. Similar to the balance of a philological continuum in human species, bringing the status of things back to the primordial broth.

So that explains it, then.

Previously, previously, previously.
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6 Responses:

  1. Dave says:

    The artist has been described as, "Cyriak's dad."

  2. Leonardo Herrera says:

    The purpose of the project is to represent the most tragic aspects of the human nature and of its motion, such as war, madness, social change and hate.

    So... did it succeed?

  3. Pavel Lishin says:

    My favorite description of this was "Gellar Field failure".

  4. pawliger says:

    Good to see the X-Men: Days of Future Past sentinels seem to have found gainful employment.

  5. Philip Guenther says:

    Block moving bits and all, that could have been straight out of Lem's Solaris, and will probably give me nightmares like the book did. Whee.

  6. neerd says:

    it's hell ok gosh

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