In fact the bodies represented in METACHAOS, even though they are characterized by an apparently anthropomorphous appearance, in reality they are without identity and conscience. They exist confined in a spaceless and timeless state, an hostile and decadent hyperuranium where a fortress, in perpetual movement, dominates the landscape in defense of a supercelestial, harmonic but fragile parallel dimension. In its destructive instinct of violating the dimensional limbo, the mutant horde penetrates the intimacy of the fortress, laying siege like a virus. Similar to the balance of a philological continuum in human species, bringing the status of things back to the primordial broth.
So that explains it, then.
The artist has been described as, "Cyriak's dad."
So... did it succeed?
My favorite description of this was "Gellar Field failure".
Good to see the X-Men: Days of Future Past sentinels seem to have found gainful employment.
Block moving bits and all, that could have been straight out of Lem's Solaris, and will probably give me nightmares like the book did. Whee.
it's hell ok gosh