Tron "Bit" Papercraft

Yes. Yes. No. Yes. Yes. No. Yes. Yes yes yes yes yes.

For those out there who care about such things, the "yes" Bit is a octahedron, the "neutral" Bit is a compound of an icosahedron and a dodecahedron, and the "no" Bit is a second stellation of a icosahedron.

He left out one model, though; the neutral shape actually cycles between the overlayed icosahedron/dodecahedron and (I think) a triakisicosahedron.

I'm disappointed to realize that only the octahedron and triakisicosahedron are represented in the polyhedra screen saver, because it doesn't include overlays or double-stellations. Otherwise, adding a -tron mode would have been trivial...

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Gotta feed the hole.

Old and busted:

New hotness:

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I think my entire block is running on UPS

The flickering lights are disconcerting.

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DNA Lounge: Wherein Blow Up joins the fold.

We have a new monthly party joining us: starting on February 11th, Blow Up will be every second Friday at DNA Lounge! It's an 18+ electro party, and they have extensive photo galleries and videos on their blog for your evesdropping pleasure.

Remember back in June when the Guardian did a cover story on the most innovative local clubs, and three of the four profiled -- Bootie, Trannyshack and Bearracuda -- just happened to take place at DNA Lounge? Well, the fourth club profiled in that article was Blow Up, so now we've collected the entire set!

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Necronomicox

"We saw a niche that needed to be filled."

Previously, previously.

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The Slutcracker

Dear Hubba Hubba Revue: It has been broughten.

Previously, previously, previously, previously.

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Allow me to be the zillionth person to show you the Lego Antikythera Mechanism

The video is stop-motion, not a computer sim!

Previously, previously, previously, previously.

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The Cholera Tree of Life

The Cholera Tree of Life

"Collectively, our data strongly suggest that the Haitian epidemic began with introduction of a V. cholerae strain into Haiti by human activity from a distant geographic source," the scientists write. The bacteria belong to a strain that evolved in South Asia. It was probably introduced onto Haiti by a sick person who flew there. We may never know who made the delivery, but it was a terrible blow not just to Haiti but perhaps to other New World countries. The South Asian strain is, unfortunately, deadlier than the Peru strain and resistant to antibiotics to boot. Waldor and his colleagues warn that unless the bacteria are stopped now, they could outcompete the milder Peru strain.

Incidentally (have I really not written about this before?) I highly, highly recommend The Ghost Map by Steven Johnson. It is the most fascinating book about cholera you will ever read.

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Mandatory Advertising!

Good Taste in Times Square? It’s Illegal.

Own a building on Broadway but detest the flashing lights? Too bad. As the code states:

    There shall be a minimum of one illuminated sign with a surface area of not less than 1,000 square feet for each 50 linear feet, or part thereof, of street frontage.

There are instructions for precisely which direction Times Square’s signage must face and extraordinarily detailed diagrams for how the brightness of mandatory illuminated displays shall be measured.

Does your building feature a blinking sign? The rules require that the unlit phase not exceed three seconds. When can the bright lights be switched off? No earlier than 1:00 a.m.

According to Goldstein, Times Square’s survival as an outlandish area has at times been in jeopardy. “For example, when the Morgan Stanley building came in, they didn’t want to have any signs and lights over them,” she says. “There was concern that when those kinds of buildings went up, they weren’t going to want to have signs.”

It’s unclear how the city enforces these rules. Officials at the city’s Department of City Planning didn’t know of any examples in which building owners have been penalized for non-compliance with the special zoning rules.

Not that anyone with a profit motive would want to forgo the glitzy advertising. “We know some of those signs go for upwards of $1 million a year,” Goldstein said.

Well, as long as we're all on the same page, then.

Previously, previously, previously, previously, previously.

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Cage Against the Machine

Pop stars to stage silent X Factor protest

Later today, Pete Doherty, the Kooks, Billy Bragg, Imogen Heap, Orbital and many more will gather in a London studio, collaborating in a bid for this year's Christmas No 1. But the strangest bit is not the team-up: it's that they are not recording a single note. The ad hoc supergroup is assembling in support of Cage Against the Machine, a charity campaign to take John Cage's infamous 4'33" – a composition of pure silence – to the top of the Yuletide charts.

The campaign has been gathering momentum over the past couple of months, winning celebrity endorsements, amused press coverage and around 60,000 Facebook fans. Their inspiration is obvious: last year's successful push to raise Rage Against the Machine's Killing In the Name, released in 1992, over X Factor winner Joe McElderry's The Climb. In 2010, instead of loosing a profanity-laden rap-rock tirade on the British public, Cage Against the Machine organisers want to unfurl the serene sound of silence, taking on whoever wins X Factor next week.

And lest we forget this, from 2002: Composer pays for piece of silence

British composer Mike Batt found himself the subject of a plagiarism action for including the song, "A One Minute Silence," on an album for his classical rock band The Planets. He was accused of copying it from a work by the late American composer John Cage, whose 1952 composition "4'33"" was totally silent.

On Monday, Batt settled the matter out of court by paying an undisclosed six-figure sum to the John Cage Trust.

Batt said: "This has been, albeit a gentlemanly dispute, a most serious matter and I am pleased that Cage's publishers have finally been persuaded that their case was, to say the least, optimistic. "We are, however, making this gesture of a payment to the John Cage Trust in recognition of my own personal respect for John Cage and in recognition of his brave and sometimes outrageous approach to artistic experimentation in music."

Batt credited "A One Minute Silence" to "Batt/Cage."

Before the start of the court case, Batt had said: "Has the world gone mad? I'm prepared to do time rather than pay out. We are talking as much as £100,000 in copyright.

"Mine is a much better silent piece. I have been able to say in one minute what Cage could only say in four minutes and 33 seconds."

Previously.

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