The opener was Tino Corp (the current project of Jack Dangers of Meat Beat Manifesto) who, to my great shame, I hadn't gotten around to seeing live until last night. They, also, were a lot of fun. It was really interesting watching the division of labor between the two guys: Dangers had a pile of gear on which he was doing the basic beats, and Stokes was layering on top of that with what was, as far as I can tell, the Emergency Broadcast Network Video Sampler! Great stuff.
Musically, Tino Corp was doing stuff that was much like the later Meat Beat (Subliminal Sandwich, etc.) I pretty much lost interest in MBM after 99% (I liked them when they were an industrial rap band, not when they got all ambient stoner dubby) but I've seen them many times (as MBM) in their later period, and they've always put on a great show.
Also of note was that the sound system at The Independent is very good; it's so much better than it was when it was Justice League or Kennel Club.
I did sound for Timo Corp @ StudioZ awhile back, during the avit festival.
They're not using the EBN video sampler, but they're using a bunch of custom Max/MSP + Jitter code that was thrown together for them. Jack gave me a tour through it. It's just lightyears ahead of what EBN did. It's got modulators and spectrum analysis that you can run against the video, as well as some nifty real-time effects. Hooray for extra computing power! (The EBN stuff ran on Quadra 700's with 320x200 video radiusvision cards. Just sad!)
Also, their circuit-bent speak and spell is quite fantastic. I got to play with it for a bit.
the speak and spell is the creation of dave wright/not breathing --> http://www.carrionsound.com
they're actually pretty easy to make.