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In a secret Paris cavern, the real underground cinema

Police in Paris have discovered a fully equipped cinema-cum-restaurant in a large and previously uncharted cavern underneath the capital's chic 16th arrondissement.

After entering the network through a drain next to the Trocadero, the officers came across a tarpaulin marked: Building site, No access. Behind that, a tunnel held a desk and a closed-circuit TV camera set to automatically record images of anyone passing. The mechanism also triggered a tape of dogs barking, "clearly designed to frighten people off," the spokesman said.

Further along, the tunnel opened into a vast 400 sq metre cave some 18m underground, "like an underground amphitheatre, with terraces cut into the rock and chairs". There the police found a full-sized cinema screen, projection equipment, and tapes of a wide variety of films, including 1950s film noir classics and more recent thrillers. None of the films were banned or even offensive, the spokesman said.

Three days later, when the police returned accompanied by experts from the French electricity board to see where the power was coming from, the phone and electricity lines had been cut and a note was lying in the middle of the floor: "Do not," it said, "try to find us."

Update: more info here.

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Court Rules That All Musical Samples Must Be Paid For

Court Rules That All Musical Samples Must Be Paid For

The case at the crux of this new ruling focuses on the 1990 N.W.A song "100 Miles and Runnin'." The track samples a three-note guitar riff from a 1975 Funkadelic track, "Get Off Your Ass and Jam." The sample, in which the pitch has been lowered, is only two seconds long but is looped to extend to 16 beats and appears five times throughout the track.

In 2002, a lower court said that although the Clinton riff was in fact entitled to copyright protection, the specific sample "did not rise to the level of legally cognizable appropriation," according to the AP. The appeals court opposed that decision, explaining that an artist who acknowledges that they made use of another artist's work may be liable, and sent the case back to the lower court.

"Get a license or do not sample," the court said Tuesday. "We do not see this as stifling creativity in any significant way."

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